The collective is best known for visionary, often provocative projects such as the “Continuous Monument” (1969), a global megastructure imagined as a critique of homogeneous urban planning. Through works like “Supersurface” and the “Twelve Ideal Cities”, they explored themes of technology, consumerism, and the dissolution of traditional architectural boundaries.

Although much of their production remained conceptual, Superstudio also created a small number of furniture pieces, including the “Bazaar” modular sofa (1969–70), which embodies their desire to blur the line between object, environment, and social critique.

Superstudio’s work has been exhibited in major cultural institutions such as MoMA, the Centre Pompidou and the Venice Biennale, and continues to influence generations of architects, designers, and theorists. Their legacy endures as a cornerstone of critical and speculative design.